A Carpenter's Daughter
This memory song is late in coming.
The joiner was broken before his work
was complete; the hammer is silent now.
The saw and the rule are dusty with age,
his workbench torn out two summers past, but
I still remember the smell of pinesap and resin
and roofing tar. I am a carpenter’s daughter.
My father created cavalries of wood,
sawhorses to hold steady the workday load.
These rigid chargers of lumber, emblazoned
with chalk dust, like fierce warpainted steeds.
His children rode reckless like savages on
mounts of sticky white pine, hammersong
like hooves striking flint, ringing out around.
Across the horizon of my distant youth,
I was enthralled with my father’s level.
The forging of alignment, the truth of it,
a tool that quarters no compromise.
A carpenter trims the world and makes it
flush and planed and square, but now
the bubble is no longer between the lines.
He told me not to weep for the mighty trees
who cleaved for the axe with honor and grace;
their sacrifice sheltered softer, weaker things.
Our homes are gravestones of oak, pine and beech.
Our lives stand, their epitaphs and legacies.
The forest bore the weight of his loss, in the end
I wonder if the trees wept for him?
A grand artisan without a legend, his softwood
hands skillfully held and shaped my childhood.
He never walked with disciples, but I swear
he turned a loaf and a fish into a feast
so many times. No more than a man,
no less than a father, he lived and died
with callous-streaked fingers full of wood.















Comments
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unknown command error: sleep
Thank you for the compliment, either way. And thank you for the +fav.
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unknown command error: sleep
I don't think any major changes are appropriate, but I might suggest taking a close look at the linebreaks. Many end on prepositions, pronouns and conjunctions, which weaken the power of the line. Try for strong verbs and nouns, when possible.
A line such as the following is powerful for what it suggests:
The forging of alignment, the truth
of it, a tool that quarters no compromise.
And remember that the emphasis gained by the pause at the end of one line is carried through to the beginning of the following line.
Good luck and thanks again for the opportunity to comment.
best,
Charles
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"A liberal is the guy who leaves the room when a fight starts."
- Big Bill Haywood
There really isn't much to crit here. I agree, the enjambment needs attention. I have noted you some suggestions for alternatives. I'd suggest few minor changes, as detailed below:
sawhorses to hold steady the workday load.
These rigid chargers of lumber, emblazoned
Amend the punctuation to: 'workday load; rigid chargers'.
His children rode(,) reckless (as) savages on
mounts of [sticky white] pine, hammersong
like hooves striking flint, [ringing out around].
One too many similes in this strophe. 'Sticky white pine' jars the sonics, all the 'i' sounds focussing attention on the pine rather than the children. That the sound rings out is inferred already by 'hooves striking flint'.
'Across the horizon of my distant youth,'
This line is superfluous. We already know she is remembering her youth, and though I realise you're tying that in with the 'level' it still waxes too lyrical to my ear. I'd also suggest cutting one 'and', at "trims the world(,) makes it".
I'd cut 'mighty' and 'softer' from strophe 4 as unnecessary modifiers. Colon after 'axe', perhaps, but that's a matter of taste.
S.5: I'd cut 'without a legend'. It's fairly clear this is N's perspective on him already. I'm not fond of 'streaked', as callouses aren't really 'streaky' things, but a word is needed to take its place, or the sound is too clipped.
This is a wonderful poem, a joy to read and well-written. Thankyou again for posting it.
- Sal
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unknown command error: sleep
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Give me rampant intellectualism as a coping mechanism.
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"Suppose you were an idiot. And suppose you were a member of Congress. But I repeat myself." Mark Twain
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Alcohol is the anesthesia by which we endure the operation of Life
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Once upon a time is now.
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"She stood there, half way between the orient and here. Bitter white clouds lingered and then went, capturing the splash of yellow that the sun bathed our faces in."
"We are what we think" - Buddha
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